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华为云
"The Witch Burnt Alive"
After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.
"Community Spirit"
Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.
"The Earth Seen from the Moon"
The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.
"The Sicilian"
Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.
"A Night Like Any Other"
Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
黄晓明,周立波,任贤齐,陈百祥,张静初,朱咪咪,樊少皇,郑祖,张达明,罗家英,高亚麟,吴耀汉,田启文,苑琼丹
浅野忠信,坂野真弥,佐藤贵广,手塚理美,我修院达也,三浦友和,高桥一生,土屋安娜,中岛朋子,加濑亮,志贺广太郎,森冈龙,堀部圭亮,庵野秀明,尾野真千子,草彅刚,菊地凛子,水桥研二,相武纱季,田中要次,冈田义德,野村佑香,森下能幸,和久井映见,寺岛进,武田真治,树木希林
詹妮佛·库里奇,大卫·哈伯,安东尼·麦凯,泰格·诺塔洛,菲丝·福德,汤姆·鲍尔,奈尔斯·菲奇,斯蒂芬·考特尔,Taylor Shurte,安·马奥尼,Phuong Kubacki,埃丽卡·阿什,萨拉·沃伊特,贾西·迪阿洛·温斯顿,Jophielle Love,杰克森·凯利,Sherri Eakin,拉腊·格赖斯,Ariel Yasmine,斯科特·A·马丁,尼古拉斯·帕森斯,亚当·斯蒂芬森,道格·斯皮尔曼,肖恩·博伊德,莎拉·费希尔,内德·尤瑟夫,Catie Elaine Hankins,莉娜·克拉克,J
朱莉·安德鲁斯,迪克·范·戴克,大卫·汤姆林森,格莱妮丝·约翰斯,赫敏·巴德利,雷塔·肖,卡伦·多里斯,马修·加伯,爱尔莎·兰切斯特,阿瑟·特雷彻,雷吉纳德·欧文,埃德·温,简·达威尔,阿瑟·马利特